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By: Randall Barron
ISBN: 1560325518
Publisher: Taylor & Francis
Release Date: 01 May, 1999
Bioscience book rank: 351502
By: Anne McKinney
ISBN: 188528828X
Publisher: Prep Publishing
Release Date: 01 September, 2002
Bioscience book rank: 211590
By: J.A. Wesselingh and R. Krishna
ISBN: 9071301583
Publisher: VSSD
Release Date: 16 February, 2006
Bioscience book rank: 644518
By: Myer Kutz
ISBN: 0071410414
Publisher: McGraw-Hill Professional
Release Date: 25 August, 2005
Bioscience book rank: 560517
By: Ben Harper
ISBN: 043972788X
Publisher: Scholastic Inc.
Release Date: 01 May, 2005
Bioscience book rank: 631471
By: Richard W. Haines
ISBN: 0786418095
Publisher: McFarland & Company
Release Date: 12 November, 2003
Bioscience book rank: 839095
This is a very complex book with a lot of technical information, some of which I didn't understand. However, I did get the overall gist of the writer's arguement which is the Technicolor process was vastly superior to the Eastmancolor process that replaced it. I've seen some 16mm film collector prints in Technicolor which were gorgeous. One of them was "The Adventures of Robin Hood" which was beautiful. Rich and vibrant...it took my breath away. I also saw 16mm Technicolor prints of "North by Northwest" and "Singin' in the Rain" which were spectacular. Boy do I love Technicolor. You can actually buy these prints on ebay if you have a lot of money. <p>I can't believe Hollywood abandoned this process. It's hard to compare old Technicolor movies with current Eastmancolor films like "Minority Report" which is drained of color and looks terrible. Are current directors color blind? I guess most people have never seen a Technicolor print and don't know what they're missing... <p>This book is better than Fred Basten's "Glorious Technicolor" in that it details all the different processes that used dye transfer printing including Cinerama, Technirama, 3-D, VistaVision and CinemaScope. Basten's book only covers the 3 strip camera and pretty much ignores the fifties and sixties. This book lists every film that was printed in Technicolor and lists them in each category or process. My only complaint is that unlike the Basten book, there are no color pictures. There are a lot of technical diagrams though. <p>In Haines second book, "The Moviegoing Experience 1968-2001", he made the technical aspects of his subject a bit easier to understand but this book is still an excellent reference source.<p>Haines is also a film director and made a very interesting 'film noir' movie called "Unsavory Characters" which I saw on DVD. The color portions of that movie resembled a Technicolor film from the era so he seems to understand the aethetics of cinematography. I also saw his "Alien Space Avenger" on videotape. According to The Perfect Vision magazine, it was printed at the Technicolor lab in China! <p>I read that Technicolor dye transfer printing was revived a couple of years ago and used on "Rear Window" and "Apocalype Redux" but few people in Hollywood cared and it was shut down again. Shame on them! <p>There's no question that the author is the greatest champion of Technicolor and has made an impact on film history by chronicling the story. He's one of the most interesting writers and directors out there and I hope someone discovers him soon!

This book provides an extensive review of the technicolor procsss and its development over the history of its use.

The author correctly points out the weaknesses of the Eastmancolor process and gives support to the superiority of dye transfer processed films. Mr. Haines has an excellent eye for color, and he lists a complete history of films using three strip technicolor and dye transfer matrices. He is not afraid to attack the studios and Kodak's short sightedness in dumping the process. As a result, film negatives are fading fast, and many films are losing their original look. He does list one chinese company that still uses the process, and I hope that they are still in business. Sadly films will never look as good again. END
By: Erik Banks
ISBN: 0470857455
Publisher: Wiley
Release Date: 19 March, 2004
Bioscience book rank: 574353
The book seems to be easy to read, but still quite comprehensive. The new tendencies of ART solutions are good captured and described in a well understandible manner. Good book for everyone who wants to know main features of ART market without getting himself lost in small mathematical details

In this excellent introduction to risk management, author Erik Banks offers a lucid, clearly written and well-organized overview. He tells readers what risk management is, why it is necessary, how it works and how companies can carry it out most prudently and cost-effectively. He manages to convey the essential information about insurance and reinsurance, the use of capital markets and derivatives, and the application of enterprise risk management concisely. This is a remarkable achievement. Most books on insurance bog down in jargon and details, while most books on derivatives are unnecessarily complicated and dense. This one - offered by the Wiley Finance Series - is neither. Although not exactly beach reading, it's about as accessible as any book on this subject could possibly be. We recommend it highly to executives and investors.
By: Robert W. Serth
ISBN: 0123735882
Publisher: Academic Press
Release Date: 28 March, 2007
Bioscience book rank: 872029
By: Sandy Bonsib
ISBN: 1564773493
Publisher: Martingale and Company
Release Date: February, 2001
Bioscience book rank: 714445
By: Michael J. Moran, Howard N. Shapiro, Bruce R. Munson, David P. DeWitt
ISBN: 0471204900
Publisher: Wiley
Release Date: 17 September, 2002
Bioscience book rank: 117666
This book is written by the leaders in each of the three areas of thermal systems engineering and it really shows. Keep in mind this is an introductory book and does not cover every part of each topic, but for an introductory class it is perfect! Concepts are easy to understand with very good supporting examples. I would highly recommend this book to anyone needing a brush up or a good introduction to thermal systems.
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